µ±´úÃÀÊõ¼Ò105ÆÚ.pdf
2016ÄêµÚ6ÆÚ£¬×ܵÚ105ÆÚ
Ŀ¼
»°Ìâ
ËïÕñ»ª ×°ÖÃÓëʱ¼ä Sun Zhenhua Installation and Time
Òó˫ϲ Ææ¹ÛÓëÕ𾪣º×°ÖÃÒÕÊõÖеľºÕùÂß¼ Yin Shuangxi Wonder and Shock: Competitive Logic in Installation Art
ÂíÇÕÖÒ ×°ÖÃÒÕÊõµÄÌØÕ÷ÃèÊö¼°ÒÕÊõʷд×÷µÄÐÂÎÊÌâ Ma Qinzhong The Description of Installation¡¯s Characteristics and New Problems of Art History¡¯s Writing
רÀ¸
[ÃÀ]ÂõÒ®·ÏÄƤÂÞ Öø ÉòÓï±ù Òë ÅúÆÀ¼ÒÅ· ÈÊ·¸¥ÂÞâ̹£¨½ÚÑ¡£©£¨Ï£© Meyer Schapiro Translated by Shen Yubing Eugene Fromentin as a Critic (III)
»ÆÁ¢Æ½ ÎÒÈÏʶµÄÍõ¹ãÒå Huang Liping Wang Guangyi that I Know
¼½ÉÙ·å ÔÙʶ·½Á¦¾û£¨ÉÏ£© Ji Shaofeng Re-sensing the Work of Fang Lijun (I)
ÖìÇàÉú Öйúµ±´úÒÕÊõÄê¼øÕ¹2015 Zhu Qingsheng The Exhibition of Annual of Contemporary Art of China 2015
ÅÓïçû »ØÊ×ÓëÕ¹Íû¡ª¡ªÒÕÊõ˶ʿ ѧλ×ß¹ýµÄÊ®Äê Pang Maokun Retrospection and Expectation¡ª¡ªMaster of Fine Arts Has Seen Ten Years
²ÜÒâÇ¿ Õý±¾ÇåÔ´¡ª¡ªÒÕÊõ˶ʿѧ λÉèÖõÄÒâÒå Cao Yiqiang Radically Reform¡ª¡ª Significance of MFA Establishment
Íõ³¯¸Õ ·¾¶Óë±í´ï¡ª¡ª×÷Ϊ¹ý³Ì µÄÒÕÊõ Wang Chaogang Method and Expression ¡ª¡ªArt as the Process
ÀîÓ ÀúÊ·µÄÔìÎï Li Yong Historical Creation
г±
Τ¼Î °æ»½ÌÓýÖеĽṹÐÔ²½·¥ Wei Jia Constitutive Procedure of Printmaking Education
âÕÃÎÙ» °½Ïë תÒëÓë̽Ë÷¡ª¡ª¶Ô»°âÕÃÎÙ» Tuo Mengqian Ao Xiang Translation and Exploration¡ª¡ªInterview with Tuo Mengqian
ÍõÅæÆæ ´òÆÆÓë̽Ë÷ Wang Peiqi Breaking and Exploration
¶Ô»°
¶ÎÏþ¶« ¡°º£ÄÉ°Ù´¨£¬±ÚÁ¢Ç§Ø𡱠¡ª¡ª×÷ΪһÖÖ¼ÛÖµ¹²Í¬ÌåµÄËÎׯÒÕÊõ¾«ÉñËÝÔ´ չѧÊõÑÐÌÖ»á×ÛÊö Duan Xiaodong All Rivers Run to the Sea, One Thousand Cliffs Stand Tall ¡ª¡ªThe Songzhuang Artistic Spirit as a Community of Value Exhibition Seminar Review
×ÊѶ
±àÒ룺ËÎÊÀö« °ÍÀè¹ú¼Êµ±´úÒÕÊõ²©ÀÀ»á Compiled by Song Shiji The International Contemporary Art Fair [Foire Internationale d¡¯Art Contemporain]
±àÒ룺ºúÀò ÂíÈû¶û·²¼´ï°£¶û Compiled by Hu Li Marcel Broodthaers
¿Õ¼ä
±¾¿¯±à¼²¿ Ì©ÌØÃÀÊõ¹Ý Editorial Department Tate Gallery
¶ÁÊé
ENGLISH 
¹Ù·½Î¢ÐÅ 
